UNFADE
The G-word
The G-word
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FAST & CHEAP DELIVERY
FAST & CHEAP DELIVERY
Fast deliveries โ order before 14:00 (weekdays), and your package will be shipped the same day and delivered the next day. If you order for more than 500 DKK, delivery to a pickup point is free!
- POSTNORD Pickup Point: 49 DKK (FREE for orders over 500 DKK)
- POSTNORD Home Delivery: 69 DKK
- POSTNORD Business Delivery: 79 DKK
- GLS Parcel Shop: 49 DKK (Order before 11:00 on weekdays, and your package will be shipped the same day.)
Read more details about shipping and our delivery options here.
SHOP IN COPENHAGEN
SHOP IN COPENHAGEN
Denmark's largest art supply store with a focus on graffiti and street art. Visit our store at Jagtvej 3 in Copenhagen or order directly from our website. Everything you see online is in stock, and if you order before 14:00 on weekdays, your package is shipped the same dayโusually arriving the next day.
Store Opening Hours:
Monday - Friday: 10:00 - 18:00
Saturday: 10:00 - 16:00
Sunday: Closed
30 DAYS RETURN POLICY
30 DAYS RETURN POLICY
30 day return policy counted from the day the order was placed. All products returned most be in resalable condition. Before sending back products please contact our customer order: info@unfade.com. ย Return shipping expenses is payed by the customer.
If you received a damaged or faulty product please contact our customer service and we will replace the product(s) or issue a refund. If you want to file a complaint please send us a mail: info@unfade.com.
How is it that the US Central Intelligence Agency (CIA) commemorates graffiti as a symbol of Western optimism and hopefulness, while the City of Stockholm describes the same phenomenon as crime and a sign of insecurity and social problems?
Graffiti is a multifaceted and complex phenomenon that can be understood in many ways - as one of the world's greatest contemporary art movements, and as a slum-damaging act, as an adventurous bus strike and as an organized crime. The dissertation takes different contradictory understandings seriously - accepts them as logically incompatible but assumes that they are interdependent on an overall level of significance.
Based on four specific contexts - such as the graffiti of the Berlin Wall during the Cold War and the zero-tolerance 1990s in Stockholm - the dissertation examines how institutions and other social interests acted to directly or indirectly influence the understanding of graffiti as art, as crime and as a broader socio-cultural phenomenon.
170 x 240 mm, 220 pages, English language, Released: 2014.
